Good Deeds

Maybe we're doing damage.'. When are we going to have the explosion?

STEREOGUM: The Go Insane era was bookended by these memorable soundtrack songs, “Time Bomb Town” from Back To The Future and “Holiday Road” and “Dancin’ Across The USA” from National Lampoon’s Vacation. Fleetwood Mac’s tour begins on October 3 in Tulsa. Recommended by The Wall Street Journal . On Ellen, the new Mac ran through the beloved Rumours ensemble number “The Chain” and their silky-smooth Mirage hit “Gypsy,” which highlights Stevie Nicks. and sometimes I'd say, 'Y'know, Chris, I'm having trouble hearing the keyboard and the guitar.' He was the one who cracked the jokes. It'll fill out the sound better.' Which is what she did and it worked brilliantly. They had been played so much, and that Ampex tape also had a problem that we wouldn't find out about until later, but coincidentally we had a backup. We had a ball taking it out on the road. "Mick gave me and Ken each an old Chinese I-Ching coin and said, 'Good luck,'" Dashut recalled. We could possibly transfer all of the overdubs back to the other tape and use the new drums.' We've already been high-fiving one another. Here's how they sound on the piano...' All of the parts were just genius, I think. "At one point I even brought up the kick drum and the snare, solo'd them, went back and forth between the two, and asked anybody if they could pick out which was which, and without any other timing information or instrumentation you couldn't tell the difference between them. So, she walked over to the Rhodes — which, like everything else, was always mic'd up and ready to go — and she played 'Dreams'. Rumours would have been dead, just about. and I said, 'I think so.' STEREOGUM: It’s not on the anthology, but “Wrong” is also a cool track from that album. BUCKINGHAM: Oh, no. STEREOGUM: Your next solo album could’ve been culled from a collection that ended up leaking in 2001 which fans called Gift Of Screws, years before your actual Gift Of Screws album. BUCKINGHAM: Kristen wrote a lot of the lyrics on “Did You Miss Me,” and what’s the other one? It seems like I'm adding more top end all the time.' It’s still not on streaming services, but before MP3s and YouTube it was really hard to track down. Then I did Under The Skin and Gift Of Screws back to back. "We put the tapes aside for a few minutes, smoked a joint and spent most of the night mixing tapes," Dashut would later recall. 'Dreams' was recorded with a Sennheiser 441 — that sounded great for her, and that happened to be what we were using. Popping into Wally Heider's to remix a show for radio broadcast, Dashut sat alongside Caillat behind the console and struck up a fast friendship when the latter asked if he smoked weed and would like to get high. We had plenty of time, so when they started playing we'd dial up everything. The other side of that is do I want to be an artist; do I want to call my own shots; do I want to engage in what is vital or seemingly vital, what seems important to me in that moment and not worry about what the outcome is on a commercial level. "Lindsey might walk in the room and say, 'I've been thinking; I've got a great idea for a guitar solo on 'Go Your Own Way',' and so we'd work on that and put it down," Caillat explains. Everything got bounced down, because we were filling up tracks. Neil Finn and Mike Campbell were hired to replace him and consequently Fleetwood Mac shows now include songs by Crowded House, Split Enz, and Tom Petty.

The recipient of a Grammy Award as 1977's Album of the Year, as well as a diamond certification by the RIAA for sales that, by 2003, would top 19 million in the US alone (and more than 30 million worldwide), the record sat at number one on the Billboard charts for over six months and included hit singles such as Buckingham's 'Go Your Own Way', Nicks' 'Dreams' and Christine McVie's 'Don't Stop' and 'You Make Loving Fun', as well as other popular tracks like Nicks' 'Gold Dust Woman' and all five members' 'The Chain'. It’s a cover band kind of deal, and Stevie may be enjoying that, and that’s fine. It was kinda like Producing 101. I'd say, 'Keep your lips up against that wind-screen,' and that way I got a lot of bottom, to which I could then add top if I wanted to.". We even taped two kick drums together out of frustration, trying to get some size and some beat out of them, but nothing would work, and finally I got pissed off. We’ll see what makes it down the line. Torres Describes Harrowing 48 Hours Trying to Return Home, The Viral Countdown: The Race to React to COVID-19, The Cost of Coronavirus: How Young Guv Ended Up Stranded, The Killers Double Down on Arena Rock With. BUCKINGHAM: I didn’t see a lot of his stuff. The Chain Tab by Fleetwood Mac with free online tab player. BUCKINGHAM: I haven’t spoken to any of them. I remember him walking into the control room as white as a ghost, and of course everyone rallied around him, but then there was John and Christine's break-up. "We had a lot of time to dial everything in, and the band members were incredibly tolerant," Caillat says. Then we ran the pedal sound through the Leslie and had a delay on that, slowing his part down — he was actually going to double that part, but then when he heard the delay he started playing along to it and that changed the whole tempo of the song... You wouldn't have had that in the Pro Tools world, where there's no credibility given to putting some space into the songs. Because clearly, you can make the case that the form of the video is something like an extended commercial, and yet there were so many that became iconic for how artistic they were, little four-minute movies and a lot of people with a lot of talent. In addition, he also plays various other guitars from notable brands including the Taylor 814ce, Gibson Les Paul Custom, Fender Telecaster and Fender Stratocaster. "I'd have different lead-guitar takes on five or six faders, and I knew that this fader had this really good lick, so I'd bring it up and everybody would go, 'Hey, I love that lick, so don't forget it.' Favorites. And indeed, if an artist's personal misery often lends itself to creative achievement, then the mid-'70s incarnation of Fleetwood Mac was not only a case in point, but actually a multiple helping. “Time Bomb Town” was buried somewhere behind some scene in a movie, and it was on the original album, but it wasn’t something that they gravitated to as a single. He’s been in many acts, but his greatest contributions come from his time with Fleetwood Mac. 'Just solo it up.' "We'd put an amp in one room, put another amp in another room, and have another room with a Leslie preamp mic'd up," Caillat explains. It was just kind of a mess, kind of like it is right now. The views expressed are those of the contributors and not necessarily those of the publishers. I remember, I'd gone away for Christmas vacation and got snowed in at Lake Tahoe, and when I finally returned I got a midnight call telling me to come to the studio because they'd been trying to mix that song and couldn't build the guitar solo.

Anyway, I think they had gotten to this point where they realized they wanted to try to get me back. Again, you don’t expect to reach … I mean, back during Go Insane or Law And Order, maybe I’d sell 300,000. So he would turn the VSO to the left, and basically it was like steering it. Even relationships that you’ve had for a long time, a lot of people don’t get beyond a certain point. So we got rid of the verses, and then he had Mick play the kick-drum part — we didn't know what the hell Lindsey was doing. STEREOGUM: Familial themes tie into this spectral folk song I wanted to ask about, “Time Precious Time.”.

Otherwise, we'll have to stop and comp it.' By the time I met Kristen, I probably had figured, well, it ain’t going to happen for me, but then I met her. "Tape machines will never run at the same speed twice, so this guy put a pair of headphones on, and he put the hi-hat and snare from the original tape in his left ear, and the hi-hat and snare from the safety master in his right ear, and we kept marking the tape and hitting 'start' on both machines at the same time until it was close enough at the beginning, and then he would use the VSO [vari-speed oscillator] on one of the machines, carefully adjusting the speed slightly and basically playing it like an instrument, keeping the two kick drums and snare drums in the centre of his head. Still, it was also at Heider's that we almost lost the album, due to the tape wearing out. Well, he put his guitar down, ran into the control room where I was sitting in a chair, and put both hands around my neck, shaking me like he was trying to strangle me. STEREOGUM: It is. By this time I was with the woman who would later become my wife, Kristen, who I had met during those sessions, had come down to photograph. 'Really? You've got to tell us what's going on. I wasn’t sure I could do it, but that was also freeing because he wanted me to try. "I remember one day they got a call from the record company telling them how important the next album would be. It was a different time.". "Or Stevie might say she had an idea for a background vocal and we'd work on that. "That's what I don't like about Pro Tools recording today — that whole thing of setting up the direction of what we're going to do next is gone. One Saturday we worked until four in the morning, so we took Sunday off, slept most of the day, and started again first thing Monday morning. And I did.". Richard and I tried everything to make the sound bigger. The mix was done that afternoon, everybody loved it, and the result was that when Dashut was unexpectedly asked to helm the Rumours project, he asked Caillat to collaborate. To retain as much transients as possible without saturating the tape, I'd recorded it at 15ips, Dolby, zero level. So I taped the ECM50 on there and he was actually playing the part through his volume pedal, meaning that when he plucked the string and opened up the pedal you'd hear this 'wah' sound', while preceding that there would be the little glassy clink of the ECM50. Musically that was just a really nice counterpoint to “Go Insane” in terms of having a 4/4 dance beat and having a similar use of computer sounds. BUCKINGHAM: Huey Lewis, right. I could have pushed the tape harder, because back then the standard was +3, but I wanted to keep a lot of headroom for transients.

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