stuart hamm caifanes

Lopez war maßgeblich an der Unterzeichnung von RCA - Ariola beteiligt und produzierte ihre ersten beiden Alben. Features include a sleek alder body, a graphite reinforced maple neck with a 2-octave rosewood fingerboard, a pair of dual-coil Ceramic Noiseless Jazz Bass single-coils (neck/bridge), a custom-wound split-coil Precision Bass humbucking pickup (middle) and a 3-band active EQ with 18V power supply. Die Mitglieder genossen die Erfahrung, in Insolitas zu spielen und beschlossen, fortzufahren. [citation needed], Rodrigo Baills (guitars), Chucho Merchán (bass), Federico Fong (bass), José Manuel Aguilera [es] (guitar), Stuart Hamm (bass), Gustavo Cerati (guitar), Adrian Belew (guitar), Yann Zaragoza (keyboards), Leo (percussion), Graham Nash (harmonica), Lenny Castro [Jimmy Z Zavala] harmonica, saxophone.

Federico Fong filled in on bass and Yann Zaragoza played keyboards. Their arrival marked a total rupture in structures and of many taboos of the time, and their look collided with social norms. The first single “Mátenme Porque Me Muero” ("Kill Me Because I'm Dying") became a minor hit in Mexico City. “No Dejes Que” (Don't Let It”), “Estas Dormida” (You're Sleeping), “Debajo de Tu Piel” (Under Your Skin), and the soaring “Nubes” (Clouds) would go on to become Mexican rock staples.

El silencio gilt mit seinen Hits und seiner Mischung aus Rock und traditioneller mexikanischer Musik als eine der einflussreichsten Platten des Rock En Español-Genres. The flood of groups from Spain and Argentina forced Mexican labels to take a second look at up-and-coming Mexican bands. Bis Ende 1987 hatte sich Caifanes als dunkler Kontrast zu den Pop- / Rock- und Light-Balladen der Unternehmen, die in den 1980er Jahren das mexikanische Radio und Fernsehen beherrschten, eine Nische geschaffen. Im Juni spielte Caifanes zwei ausverkaufte Shows im mexikanischen Auditorio Nacional (National Auditorium), einem Veranstaltungsort für 10.000 Personen - eine Premiere für eine mexikanische Rockband. Truetone Music.

Maná and El Tri already had records out to take advantage of the surge in media support. All of these bands have commented on the support of Caifanes for their careers. STUHAMM.COM.

The LP was preceded by an EP made up of three songs, in order to test the market.

Take your favorite fandoms with you and never miss a beat. The LP was preceded by an EP made up of three songs, in order to test the market. A legal scuffle over the name “Caifanes” ensued, forcing Saúl Hernández to choose the name Jaguares (Jaguars) for his new project, which was not a radical departure from the Caifanes sound. Caifanes’ debut album Caifanes (also known as Mátenme Porque Me Muero, Volumen I) was released in August 1988 by RCA-Ariola. ... Stuart Hamm, Federico Fong, Yann Zaragoza and Cecilia Toussaint. Hamm lebt mit seiner Frau und Tochter in San Francisco.

0. Das Gebäude war voll und viele Menschen wurden draußen gelassen. Zu diesem Zeitpunkt hatte die Gruppe begonnen, in Mittel- und Südamerika sowie in den Vereinigten Staaten Fuß zu fassen. By late 1993, Caifanes became a three piece with the exit of Romo and Herrera. These basses were discontinued in 2010. Members of Caifanes have cited The Cure and King Crimson as major influences, with Adrian Belew having produced their third studio album, El Silencio, as well as making a guest appearance on it. “Aquí No Es Así” achieved great success in Mexico and several countries of Latin-America, it became the last massive hit of the band, shortly before their breakup, and its music video, directed by Carlos Marcovich (Alejandro's brother, who also directed "Afuera") tells the history of the Spanish conquest of Mexico and the Aztec Empire in just one shot.[2][3]. On solo pieces like "Country Music (A night in Hell)," he demonstrates his slapping and two-handed tapping proficiency as well as the ability to make the bass imitate the sounds of a wide range of instruments; the piece has since become a popular live piece. The members enjoyed the experience of playing in Insolitas and decided to continue. Please update this article to reflect recent events or newly available information. The musical director at the time shunned them for dark new wave attire and said, “You look like fags.” At the time, Caifanes’ sound and look was influenced by British post-punk groups such as The Cure and The Jesus and Mary Chain. With demo in hand Caifanes approached CBS Mexico. Es kam zu einem Rechtsstreit um den Namen „Caifanes“, der Saúl Hernández zwang, den Namen Jaguares (Jaguars) für sein neues Projekt zu wählen , was keine radikale Abkehr vom Caifanes-Sound war. They were a staple in Latin MTV, Rock en Español radio and appeared regularly at music festivals. Ihre Ankunft bedeutete einen völligen Bruch der Strukturen und vieler Tabus der damaligen Zeit, und ihr Aussehen kollidierte mit sozialen Normen. Das Äquivalent auf Englisch wäre "cooler Typ". The immediate sale of 300,000 copies of the EP cemented the band's appeal. “La Célula Que Explota” (The Cell that Explodes), with its brushes of mariachi and bolero guitars and a crescendo of mariachi trumpets and its music video directed by Juan Carlos Colín became both a signature of the band as well as a massive hit in 1990 and 1991. 1995 marked the end of Caifanes.

"No Dejes Que" (Lass es nicht), "Estas Dormida" (Du schläfst), "Debajo de Tu Piel" (Unter deiner Haut) und die hochfliegenden "Nubes" (Wolken) würden weitergehen werden mexikanische Rock-Heftklammern. Die 1987 gegründete Gruppe erlangte in den späten 1980er und frühen 1990er Jahren internationalen Ruhm. No one knew what to expect of Caifanes after the loss of two founding members. Oscar verliebte sich in die Band und brachte sie ins Studio, um eine Demo aufzunehmen.

At the time, both Hernández and Marcovich were playing in different bands. In 1994, Caifanes opened up for the Rolling Stones in Mexico City and participated in Peter Gabriel's WOMAD festival. Caifanes has had a variety of guest musicians following them on tour, being joined on stage by Chucho Merchan, Federico Fong and Stuart Hamm as temporary members of the band. Fobia gives enormous credit to the influence of Caifanes on their music, (Hernandez collaborated in the production of the demos Puedo Rascarme Solo, La Iguana, and Moscas for a television show. The demo was showcased on the independent radio program Espacio 59 (Space 59), a show that promoted up and coming rock bands. The influence of Belew, who also played guitar on the album, was felt strongest in “Hasta Morir” (Until Death), “Tortuga” (Turtle), and “Vamos a Hacer un Silencio” (Let's Make a Silence). Stuart "Stu" Hamm (* 8. 1994 ist El nervio del volcán ( "Der Nerv des Vulkan"), veröffentlicht von BMG, zeigte Caifanes mit einem schwereren, progressiven Sound. On December 14, 2010, it was announced that the band would be reuniting for the Vive Latino festival and the Coachella Festival of 2011,[1] after a reconciliation between Hernández and Marcovich. März 2020 um 20:05 Uhr bearbeitet. “Aquí No Es Así” achieved great success in Mexico and several countries of Latin-America, it became the last massive hit of the band, shortly before their breakup, and its music video, directed by Carlos Marcovich (Alejandro's brother, who also directed "Afuera") tells the history of the Spanish conquest of Mexico and the Aztec Empire in just one shot.[2][3]. It was released in 1988 after the success of their first singles, "Mátenme porque me muero" and "La bestia humana". 1994 eröffneten Caifanes für den oben Rolling Stone in Mexiko - Stadt und nahm an Peter Gabriel ‚s WOMAD - Festival. Hamm lebt mit seiner Frau und Tochter in San Francisco. Bekannt wurde er auch als Live-Bassist von Satriani, mit dem er auch 2008 tourte.

By this time, Caifanes along with Maná, Fobia, Maldita Vecindad, La Lupita, Cafe Tacuba and Los Amantes de Lola, helped to move Mexican Rock toward a wider audience and catapulted the Rock En Español movement of the 1990s.

[6], Caifanes could be categorized with the many of Mexican rock groups that emerged in the 1980s. It was released in 1988 after the success of their first singles, "Mátenme porque me muero" and "La bestia humana". By 1989, Caifanes had emerged as one of the hottest rock acts to come from central Mexico. Caifanes’ debut album Caifanes (also known as Mátenme Porque Me Muero, Volumen I) was released in August 1988 by RCA-Ariola.

The name Caifanes is derived from 1940s Mexican pachuco (zoot suiter) slang "Cae fine". Zwischen dem 28.

Caifanes received a big break when Ariola records invited them to open for Argentinean rocker Miguel Mateos’ Mexico City show.

Caifanes. They dressed in black suits and sported frizzly hair and makeup. The relationship between Hernández and Marcovich was strained. The song was a massive hit in Mexico and introduced Caifanes to a wider audience nationally and abroad. On the same album, he performs an arrangement of Beethoven's Moonlight Sonata. El diablito (The Little Devil) was released in July 1990 through BMG Records. By late 1993, Caifanes became a three piece with the exit of Romo and Herrera. Zu Hernández gesellte sich der ehemalige Schlagzeuger von Caifanes und Insolitas, Alfonso André. The show brought Cafaines to the attention of Miguel Mateos’ producer Oscar Lopez. Caifanes toured extensively in support of the album. Zu diesem Zeitpunkt trugen Caifanes zusammen mit Maná , Fobia , Maldita Vecindad , La Lupita , Cafe Tacuba und Los Amantes de Lola dazu bei, den mexikanischen Rock einem breiteren Publikum zugänglich zu machen , und katapultierten die Rock En Español-Bewegung der 1990er Jahre. Die Band zeichnet sich durch hervorragende Spielqualität und kryptische Reisen aus, die beim Songwriting erzielt wurden. Der Einfluss von Belew, der auch Gitarre auf dem Album spielte, war in „Hasta Morir“ (Bis zum Tod), „Tortuga“ (Schildkröte) und „Vamos a Hacer un Silencio“ (Let's Make a Silence) am stärksten zu spüren. The record was produced by Oscar Lopez, aided by Gustavo Santaolalla and Daniel Freiberg. The Caifanes 2019 Tour is a concert tour to promote their 2019 single Heridos. [4], After not having recorded since 1994, the band released a new single, "Heridos".

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